Ex Machina is an excellent, creepy, and faintly problematic movie. Ted Lieu is a congressman from Southern California. As a just meaningless side note and, arguably, a moment of pointless name dropping, I met him a dozen years ago when I canvassed for him when he ran in a special election for an open seat in the California General Assembly.
This was part of a series by a nonprofit called Future Tense. It’s one of many semi-political, semi-advocacy, vaguely but not quite thinktank-y orgs that exist all around DC.
Lieu spoke well and amusingly and amazingly non-partisanly about technology legislation around the hacking of driverless cars, cells, etc. But I’ve always liked him. He even mentioned universal basic income or UBI as something worth attaining.
This was the second time I’d seen Ex Machina and I was able to better appreciate parts of the performance, script, and direction better. Like watching a surprising mystery, it can be fun to go back and re-see things again, knowing what one knows. The manipulations of the sparse cast.
But… the nudity seems problematic. There’s not a lot, except, towards the very end, there is a scene with great deal of extended nudity (there was an earlier nude scene which felt less problematic, as well), all of women (and all, my better half noted, women of a certain body type). I can understand why the director did it, in one sense, and I can outline why, I expect, he felt needed and why he felt it was okay. The gaze was female, for example. It was about becoming a woman (and a human). More reasons, too. But even though it probably wasn’t more than a minute or two, it felt like it lingered and it’s hard to fully explain away voyeurism. I won’t truly condemn voyeurism (I’m a man who’s used the internet, so it would be disingenuous), but maybe this movie didn’t need it.