Corot: Women


Even if the National Gallery of Art were not closed due a government shutdown (thank you, Trump), you couldn’t see this exhibition because it closed just before the shutdown. So you can feel… better about it?

Anyway, here are some cool pics from Corot: Women

Women Reading in the Country

The Repose

Reading, Interrupted

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The Poppy War


This book got a lot of attention and good press and I was genuinely excited to read it. To add some extra the spice, the author is from right here (Washington, DC; though I guess she has since moved). It lauded as a move away from western-centric fantasy and through some interesting, drug based ‘magic.’

But… aside from the Asian names, it did not actually feel that different from a traditional fantasy (poor girl goes to super school, turns out to be even more super than most, becomes a great shaman, which is to say, a sort of wizard). There were some references to the Journey to the West and other allusions to more classical Chinese culture, but even more thinly disguised references to the 20th century wars between Japan and China, as well as the Opium Wars (the name was barely changed) – so thinly disguised that they felt heavy handed rather than allusive; cheap rather than enlightening.

Just because it’s what I do, I may read the second book when it comes out, but I can’t deny that this one was a disappointment.

Acid Rain


We went to the National Museum if Women in the Arts the other day. I won’t lie. I picked the day because it’s free on the first Sunday of the month.

The little one was mostly unimpressed and distracted until she saw Acid Rain. She responded to it immediately. Her first reaction was to believe it was made of bones, which also feels like an emotional reaction rather than strictly perception. We spoke about it later and she told me it made her feel sad. Which, in one way, is bad, but she was having a reaction to contemporary art, which is more than most people ever have.

Difficult Topics


Our little girl is adopted. More than that, she was adopted recently and was not a baby, so she comes to America with little understanding of her new home’s culture and history.

Living in Washington, DC, there are so many reminders of how problematic that history can be.

We visited Mount Vernon, the home of our first president, George Washington. Having been on a bit of a Jefferson kick lately, my recent reading has focused on the Revolutionary  War and early days of the United States – all of which has served to reinforce how vital he was to our founding. No, he was not a particularly good general, but his gravitas and dedication to some of the best ideals of our founding made this country possible. And then we talked by the slave quarters. How do you talk about these aspects of the man to a young child who knows little English and even less about our national origins? If she were younger, we might ignore it or gloss over it, but she is old enough, that you cannot.

More recently, her mother showed her the 14,000 shoes made into a temporary monument to the child shot since Sandy Hook.

There are so many things like this, that need talking about, but which are hard to talk about. I want her to know this a great country, founded on groundbreaking ideas emerging from the fermentations of the Enlightenment. But I can’t ignore slavery, Jim Crow, school shootings, nor the genocidal treatment and effect of Europeans on Native Americans.

And Lord knows, I have fallen down on these conversations, because they are so hard. They are hard in practical terms, because of the language barrier, but also in finding ways to talk about them with a young, but not so young, child.

So I end with no solutions, but feeling overwhelmed by all that we have to teach her about and the need to be honest, but not despairing.

Gun, Candle, School


Leaving aside, if you will, the incongruity of my little girl posing before this starkly disturbing site piece, the work by Krzysztof Wodiczko was created for the Hirshhorn Museum thirty years (after another school shooting, I believe). The Parkland massacre resulted in its (re)projection being delayed, but there’s no doubt it remains incredibly offputting.

The little details, like the wedding ring on the left hand and the four different styles of microphone and the ‘Dirty Harry’ style of the silvery revolver, are powerful and disconcerting.

My girl, of course, understood none of that, but I want her to see contemporary art as part of her life and environment and something worth making into a special trip. But not as much as I want Congress to do something so we don’t have to worry about an enraged white man with a gun marching into her school with something capable of firing fifteen or more rounds without reloading.

Books In The Field


That was the title and subject of an exhibition (now closed – I caught it on its penultimate day) at the Society of the Cincinnati, housed in the Anderson House, near Dupont Circle. The Society focuses on Revolutionary War history (Cincinnati comes from the Roman general, Cincinnatus, who you can look up on your own, but which connects to George Washington both resigning his commission and also only serving two terms). The books in question are the books used by Continental Army soldiers and officers during the war against Britain – mostly, as you might expect, books on military strategy and exercises and on medical/surgical techniques.

I am a sucker for exhibitions about books. I love looking at old books.

I will admit, it was a struggle to really linger over the volumes because my little one, unsurprisingly, is less enthralled by such exhibits than her father. I didn’t even try to complete a tour of the house later. But I hope to go back some day and see it all (the next exhibit is on Alexander Hamilton who is, of course, having a bit of a moment).

The Florida Highwaymen


There is a house in Florida called the Florida House. It is advertised as the only state ’embassy’ in DC. It’s right behind the Supreme Court and catty corner from the Library of Congress (and also just down the street from my first job in DC, at a now defunct nonprofit called the Population Institute, whose main claim to fame is having introduced me to some of my best friends).

As an aside, it was privately funded, but is decorated like an official arm of the state, but is more semi-official. In fact, I have no idea what it even does, really, besides host some meetings.

It also has a nice collection of paintings by the Florida Highwaymen, which fact is not even mentioned on their website.

I made a mini-pilgrimage there (the only difficulty was the hours of the Florida House do not mesh well with working hours, if you don’t work close enough to walk there during lunch).

Sadly, the person who showed me around had no idea who the Florida Highwaymen were, so finding their paintings became an annoying scavenger hunt.

I jotted this post down because of seeing this article about them, so you can read that to get a better idea and, if you so desire, go further down the rabbit hole. It’s not my job to decide for you and I cannot be solely responsible for your cultural education, so take some responsibility for your philistinism or lack thereof, will you?