The Barbershop


The barbershop is sort of sacred place for men. We want a little pampering and grooming, but it must not look like we want it. Which is why your average barbershop is far less inviting looking that a comparable hair salon, which focuses more on female clientele.

The whole process is very an erotic experience – especially when done with as many fashioned implements as possible, especially straight razors. A good barber will trim and shape my beard, shave my neck and upper cheeks, clip my eyebrows, cut out any longish hairs growing from my ears (yes – I am reaching that age), and finish the back of my neck with a razor. He or she will also, of course, cut my hair.

There was a wonderful barber – a woman – in Pennsville, New Jersey, just across the bridge from Wilmington and Philadelphia. For a pittance (a little as $10) she would do the whole deal. And that included applying a straight razor to my face, which is a sometimes frightening, but also exhilarating experience. Of course, it helped that back then, I was simply getting my head buzzed down to stubble, which was my way of accepting the fact that I was beginning to lose my hair (it seemed more dignified to just run with it than to try to hide it – which I am still at pains to balance).

In the basement of  the Rayburn House Office Building in the U.S. Capitol Complex resides Joe’s the barber. There are actually three barbers there – old Italian Joe, the middle aged black man, and the young Asian man. You would think that Joe would be the best. And indeed, nothing quite completes the image of the barber shop experience like having an old Italian man do the job for you (I would also include old Cuban men and old Puerto Rican men). What that image leaves out, however, is that Joe isn’t terribly concerned about what you think of his work unless you are at least a congressman. The young guy is sweet, but I’d be lying if I said I had complete faith in his skills. No – I would suggest trying to get the black man to do your hair.

Lately, I’ve been bouncing between two places in downtown. One is the quintessential old man’s club. A coterie of aging warhorses come in there for their monthly visits. It’s classic, but I can’t help but feel that I am seen as an interloper in a world of after dinner brandies and camel hair jackets. The other place is Jose’s – but my barber is actually an officious Chinese woman. She’s fast, she’s a completist, and she remembers her customers.

New York Times Finally Remembers to Review Some Poetry This Week


After going I can’t remember how long without reviewing a single book poetry, the New York Times Sunday Book Review finally made some small amends with a review of a new translation of the nineteenth century Italian poet, Giacomo Leopardi. They gave a positive, dare I say, glowing review of Jonathan Galassi’s translation of the Canti.

Of course, it would be nice if they did this every Sunday. It would also be nice if they drew some attention a poet who wasn’t already dead. But I guess I’ll take what I can get.

Revolt for a Cause


Revolt for a Cause was last night (I did not make it to the Emily Dickinson event, after all). Wayne Kramer did a great acoustic set. And we raised a good deal of money (I think) for Jail Guitar Doors. My addition to the whole set up was bringing a local fashion designer and pixie-looking tattoo artist (who I was hoping to introduce a punk rock impresario of my acquaintance – but no luck there).

Brother Wayne closed out the night, to our delight, with the MC5 classic, “Kick Out the Jams.”

Faith


I believe in God. I think I fear God, though maybe not enough. I love God, but maybe not more than I am angry at him. As I contemplate the medical bills piling up, the ever increasing number of medications I am put on after every visit to the doctor, and the simple fact that – at only 36 and owing solely to heredity and biology and not through any action or inaction of my own – some of my internal organs have taken it upon themselves to pack it in. I can’t work like I used to. Even if I could afford it, I can’t go out like I used to – I get too tired and basically need to be home by 9 pm or else my exhaustion and crankiness makes me unbearable.

We are all dying, from the moment we are born we begin to die. My own troubles might (with a transplant or some other procedure and some luck) be reversed. But the fact remains that, for now, we are all dying, but I am dying faster than most.

It has brought my closer to God, but it has not made us more intimate. I has made me crankier towards him.

During noon mass, the sermon focused on Saint John of the Cross (Juan de la Cruz), who wrote admirably about the darkness. I was, no doubt, appropriate for my mood, but did not uplift me.

All I can say is, that I am trying. I am reading J.K. Huysman’s later novels about his life after his conversion (though I miss the delicious evil, the sex, and the femme fatales, and the black masses of his earlier works). Tomorrow, I will go to a penitent service and make my confession. I haven’t been in a while, so am going to a church near my work rather than my home parish – I am ashamed to reveal how slack I have been to Father Bill.

My companion is angry, too. She is contemplating a life without me. Or a life with a me who is dehabilitated by illness. Or by the poverty of mounting medical costs and a declining ability to earn the money to pay them off. It is not what she signed up for. And I am sometimes angry with her for feeling that way. No one likes to be weak, to be dependent. To be less than you were just a short time ago.

She also doesn’t like the church. She thought she was attaching herself to a young, atheist intellectual. Not a prematurely weak Catholic. Nominally Buddhist, effectively irreligious, she has not truck with the church’s western version of mysticism. The rituals and requirements seem like mere idolatry to her. And it is not in my nature to prosthelytize, so I find myself unable to properly defend my decision – not in the least because I cannot fully understand it myself. If, as I just stated earlier, I am angry at God, what is the function of keeping to these abstruse and difficult decrees? I feel I can’t explain my anger, but neither can I say that I love without equivocation. So I am silent and weak.

 

New York Times


Once again, the Sunday New York Times has failed me, because another week has gone by where the book reviews failed to review a single book of poetry.

The NYT, in this respect, is the master of the tokenism. But the tokens are getting more tenuous. This Sunday last, for example, they review a posthumous novel by the New York Poet Jim Carroll. Even worse, they reviewer admitted that the novel was not terribly good and suggested a reader would be better off reading some of his excellent poetry. Which begs the question, why not just review some poetry?

This Sunday last, they also did their yearly “Best of” for 2010. The best books – the best fiction and the best non-fiction. But no room for a top ten list of poetry.

This year saw the publication of The Collected Works of Larry Eigner, the stunning Nox by Ann Carson, and Terrance Hayes’ Lighthead. But apparently, none of these, nor any other books of poetry were worth mentioning.

New York Time – you suck.

Wayne Kramer & Street Dogs


In lieu of a traditional holiday party, the AFL-CIO hosted a small concert in the Samuel L. Gompers room last night. They brought in a couple of hard core, activist musicians – the Boston-based celtic punk band Street Dogs and the godfather of punk, Wayne Kramer. Street Dogs rose from the ashes of the Dropkick Murphys. Front man, Mike McColgan, actually left the Dropkick Murphys to become a firefighter and only returned to playing music full time about six years ago. Wayne Kramer, of course, is the former guitarist for MC5.

The show was pretty damn awesome. Both sets were fully acoustic, but the Street Dogs still rocked it like it was plugged in. And a middle-aged AFT member showed up carrying a vintage MC5 album from the early 70s and we got to see Bob Creamer, Congresswoman Jan Schakowsky’s husband, get his groove on near the front of the audience.

Zone 3


While browsing a big box bookstores (Barnes & Noble; I know, a little hypocritical of me, especially when I advocate so strongly in favor of local bookstores, but I was with a friend who was shopping at Forever 21 and I needed to get away and B&N was just down the block) I bought a copy of the little lit mag, Zone 3, to read while drinking tea and waiting for my companion’s shopping excursion to be over. I had never seen it before, but it just took a quick browse of the various options to see  that Zone 3 was something interesting.

I’m a poetry reader, rather than a short story reader, and I’m drawn to lit mags to focus heavily on verse. Unfortunately, bookstore chains, even those that stock some lit mags, tend to focus on the more mainstream mags that have mainly have fiction (Granta, Ploughshares, Sewanee Review – that sort of thing). My preference has always been for the smaller publications with a lot of poetry. Half the time, in a Barnes & Noble, that means getting Poetry, which is alright, but you’re not really branching out with that.

Zone 3 is the literary product of Austin Peay State University in Clarksville, Tennessee.

In the issue I read, I would like to single out Shannon Winston’s piece, Figure and Ground, about violence in the Holy Land. I have no idea what here experience there is, but it reads well – a nice combination of romanticism and the quotidian.

Coleman Barks poem, Witness, also deserve some mention for offering a view of youthful drug use that lives in the middle ground most of actually experienced – avoiding both the cliches of addiction or of effective insanity, while also not falling for spiritual hocus pocus. I was actually reminded of a line from Baldwin’s short story, Sonny’s Blues. A character was apologizing for having been the titular Sonny’s entree into drugs. He explained that Sonny had asked him how being high felt and responding with an honest, but hapless, “It feels good.” Of course, that story went down the road into addiction, but the idea of an honest answer – “Yes, illegal drugs have definite legal and physiological dangers associated with them, but they can feel good” – seems refreshing. I have no desire to revisit the mistakes of my youth, but neither will I pretend that I had some sort of cosmic epiphany about their essential nature or my own as a result of them. I simply grew up a little more.

But back to Zone 3. They also had some nice interviews with unusual questions that made the whole thing seem like a absurdist exercise. I can’t really explain it – just check it out.

Death Knell for ‘Fringe’


I was one of those folks who watched The X Files. Not rabidly. Not religiously. But with great pleasure – at least the first four or five seasons. And like many former X-philes (pun intended), I have taken to watching Fringe. Of all the shows that sought Mulder and Scully’s mantle, it seems the best.

But it seems that the end is nigh.

Fringe started out on Tuesdays. Then it was moved to Thursdays. Fine. Thursday was always a well loved spot for television (remember the old “must see tv” of NBC’s Thursday night line up of Friends, Seinfeld and ER). Now, it is being moved to Fridays. We all know that when a show is moved to Friday from having been on during the week, it is because the ratings are not what they should be and they want to reserve that precious, week night space for something more profitable.

Sure, sometimes a show will hang on for a while in such a poor slot. The X Files was a Friday night show. But this probably presages declining budgets and a painful death for one of my favorite shows.

‘Centurion’ and ‘Valhalla Rising’


I recently, through the wonders of Netflix, watched two small, independent, historical action films. Centurion was a film I had intended to see while it was playing at the Landmark E Street Theatre, but somehow contrived to miss it. Even those reviews that were less than completely favorable made it seem like something I could enjoy. Valhalla Rising‘s reception was a bit more mixed and I hadn’t felt the same need to go see it. In fact, I wouldn’t have except when I logged onto Netflix, there it was, so I figured, what the hell.

Valhalla Rising main selling point was the Danish actor, Mads Mikkelsen. He played the famously damp villain ‘Le Chiffre’ in Daniel Craig’s first outing as James Bond and parlayed that into an outing as a heroic captain of the guards in the throwaway remake of Clash of the Titans. In this movie, he is a mute, one-eyed berserker who accompanies a group of would-be Crusaders on a trip to the Holy Land. They get lost and wind up on a river in a strange land, being attacked by invisible enemies.

It doesn’t take a genius to figure out they’ve landed in the New World and the invisible enemies are Native Americans. Frankly, the whole movie looks like it was done by a pretentious film school student who decided to remake Terrence Malik’s The New World (a kick ass, awesome film, by the way) with Vikings. Muddled and unnecessary in the end.

But Mads does make one fine bad ass. I’m looking forward to an English language film that makes proper use of skills as an actor with the a talent for looking dangerous.

Centurion, I loved. It had its weak moments where it fell into cliché, but for the most part it was a solid and interesting work (with some very bloody and well done action). Rising star Michael Fassbender escapes from the Picts to join the 9th Legion who march up to take on the Picts. In a scene similar to one from Michael Mann’s Last of the Mohicans, the legion is ambushed and almost everyone killed. Fassbender and a small group of survivors go to rescue their general – and fail. They are subsequently chased by a single-minded and mute Olga Kurylenko (who was in Daniel Craig’s second outing as Bond) and band of angry Picts.

A lot of stuff happens, but basically, it plays out well as a metaphor for Afghanistan or Iraq. You are clearly sympathetic to the main character, a Roman/American soldier, but you also understand that the bad guys aren’t really bad. The Picts/Afghans/Iraqis quite reasonably don’t want the Romans/Americans in their country. It’s a sad situation. Mad sadder by the fact that Romans are pulling out of much of England, adding a frisson of “they died for nothing” to the Roman soldiers’ plight.

Gift Giving


I will receive a number of Christmas whose long term value to myself, in terms of utility, will be manifestly less than the money spent on the present. In other words, I would have been able to get more utility from simply having spent that same money on myself. The same will apply to presents I get for others.

That is because the function of Christmas gifts is primarily moral rather economic.