Emmanuel Ax, Beethoven, Shakespeare

Last week, I cashed in one of my birthday presents – two tickets to see Emmanuel Ax play Beethoven’s First Piano Concerto at the Kennedy Center, followed by a Shakespearean themed program.

This was my second time hearing Ax play and, of course, he’s good; and he really seemed to enjoy playing such a youthful piece. I’m not a music expert and can’t even play the triangle, but it did seem to me that he had some rough moments during the first movement, but then really hit his stride, especially of the middle movement.

When they have stars like this, I wish they wouldn’t put them first, because, after hearing a great pianist play Beethoven, pretty much whatever follows is going to disappoint. I like Berlioz, but if one of his pieces immediately follows Bach’s Passion of Saint Matthew, well… it’s going to be a bit of a letdown, isn’t it?

The three pieces that followed were Erich Korngold’s Much Ado About Nothing Suite, Richard Strauss’ Macbeth, and Antonin Dvorak’s Othello Overture. I liked Dvorak the best, but the Korngold was fun. Also, I found out that Korngold wrote the scores to two of my favorite Errol Flynn swashbucklers: Captain Blood and The Adventures of Robin Hood!

One of the cool things they did was have two actors who feature a lot locally come out and perform bits from the relevant Shakespeare. I lost the paper that told me who they were, but the man was someone I had seen in many, many plays at the Folger Shakespeare Library (off the top of my head, I’ve seen him in District MerchantsTwevlth NightRosencrantz and Guildenstern Are Dead, and Mary Stuart. He got a great presence and a delicate comic touch that works even better, because he himself is such a big guy.

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