
I saw this old book of 1920s, pastoral, children’s poetry at the library when the little one was getting her first library card and felt an immediate urge to get. It reminded me of some books I had had when I was young (Beatrix Potter is still a favorite of mine).
Well, my little loved it and made me finish the whole thing when we read it for her bedtime book.
She loved that the poems are called songs (though she called my singing flat). We have also been reading The Hobbit together (if it’s been a while, you, like me, may have forgotten how magnificent a tale teller and stylist he can be) and she loves the songs that appear in it and often implores me to go back and read the first two poems in that book again.
Perhaps this is a sign that I can begin to inculcate her in my love of poesy?




A good book, but contemporary literary fiction must, for me, compete with classic literature. Not fair, perhaps, because my beloved science fiction pulps can be quite terrible without losing a jot of lovability.
Like the first book, The Dragon Republic was good, but for my personal appreciation, a victim of its own hype. It’s good, but not as good as the buzz surrounding it.
I read this longish short story in high school or early in college and understood nothing, which is a reminder, too late for my youthful self, that we really, really don’t know as much as we think we do when we are nineteen.
Can you believe I hadn’t read this before? In fact, I’m not sure I’d read any Didion before. I feel like I must have read a piece somewhere, in some publication, but I can’t prove it.
Krondor the Betrayal doesn’t have a colon, despite obviously needing one. It is very much like the other Raymond Feist I have read, only even more in debt to Dungeons & Dragons rules and tropes.