The subtitle of this book was the title of an earlier book by Scruton and he describes this one as an attempt to wade back into the waters of demolishing the new new left (and also the same left as before, too).
His opening salvo acknowledges that Marx is not really, anymore, a lodestar for those on the left, but he still cannot help but engage with him, mostly because, like it or not, his philosophical writings are powerful and important.
But despite his protestations (doth the conservative protest too much?), he follows up his introductory chapter with a broadside (these are all, really, essays) on the Marxian historians Eric Hobsbawn (who I head read and love and to who Scruton gives appropriate credit for being a brilliant historian and man of letters) and E. P. Thompson (who I have heard of, but never read). Go figure.
Well, that’s not fair. Communism had far greater currency in England during the Cold War and had far more mainstream credibility than in America.
He even links Marxian ideas to John Kenneth Galbraith (though praising him as a stylist; the aestheticist in him is never far from the surface), which says more about the range of ideas Marx wrote about than it does about Galbraith (in case you’re interested, the linkage here is the Canadian economist’s writings about want and desire in contemporary society being created by society’s output, which idea can, yes, be traced to Marx’s theory of commodity fetishism, but I could do the same so some of Ross Douthat’s more explicitly religious critiques of society, so this isn’t really a left/right thing).
What did surprise me was his praise for Michel Foucault’s Discipline and Punish: Birth of the Prison. He writes admiringly of its insights (while dismissing what links it to his other works, those he doesn’t like; these weak links, of course, are somehow related to Marx; but I appreciate being given a new, deliciously French vocabulary word: marxisant). His seemingly off-handed mention of how he died of AIDS reeks of the worst sort of nauseating, neanderthal moralizing (the subtext seems to be, ‘you know he was gay right?’ he shows similar attitudes when criticizing Sartre’s Saint Genet for mocking ‘norms of heterosexual respectability’).
As to why he, in particular, cannot let Marx go, even when he acknowledges Marxism is no longer very relevant to current debates, it is at the heart of his conservatism. Insofar as Scruton is a philosopher of import and a conservative, it is on the field of aesthetics that his foundation is laid. He is, arguably, a Burkean, but a Burkean of Burke’s A Philosophical Inquiry Into The Origin Of Our Ideas Of The Sublime and Beautiful. Materialism and class analysis are anathema to him. Tradition, culture, and classic ideas of beauty inform Scutonian conservatism (I wanted to write Scroogean there, but that’s more a feature of the near homonymity than any deep connection between Scruton and Scrooge, whose own conservative was less about beauty and culture than class and materialism). Marx is a symbol for a turn from this aesthetic sense (he even blames the tortured syntax and unnecessary vocabularies that have become standard to many forms of academic writing across the ideological spectrum on Marx and Marxism, which would surprise anyone who has tried to read an academic article by an economist broadly from the Chicago, née Austrian, School.
I am disinclined to defend Zizek, though Scruton offers him some praise.
He writes perceptively of art, literature, cinema and music, and when he is considering the events of the day – be it presidential elections in America or Islamist extremism in the Middle East – he always has something interesting and challenging to say.
Well, paint me surprised. Later, he even seems to suggest that is Marxism is just fine (Lacan, apparently, is to blame for Zizek’s flaws) Also, I guess I hadn’t noticed before, but I don’t see an Oxford comma here.
The codicil chapter, which fits awkwardly, though if he had just stopped, that would have felt jarring, tries to give a positive statement on conservatism and is titled What Is Right? A certain political naivete rears its head here and makes clear that he’s not much of a political theater. His origin story is of watching the student demonstrations in Paris in 1968. He says that he didn’t know what he believed, but that they must be wrong. He loves order, in other words. But when he tries to go beyond that, well, he sounds rather liberal, to my ears.
I enjoyed the last (and only other) book that I read by Scruton that I read, but, just as I questioned his credentials as a political thinking, I am also not sure that he is really a philosopher at all (anyone who gives Hume some portion of credit for having ‘kept skepticism at bay’ deserves some mistrust). Actually, I am fairly certain that he is not. Which is not to say that he is not well, indeed, deeply read in the subject. But it is to say that he is more like a Christopher Hitchens figure. A powerfully intelligent polemicist rather than a systematic thinker. He’s also like Hitchens in that it can be marvelously fun to read his mockery (Habermas is subjected to the best lines. His books ‘are printed in luxury editions for the better class of living room. Few people have read these books from cover to cover; few of that who have read them remember what they say.’ Also, ‘with somewhat greater frequency than the lines of Shakespeare that fall from the monkey’s typewriter, interesting ideas surface in the great waste-paper basket of Habermas’ prose’) and that it’s a worthwhile waste of one’s time to watch extended clips of him online (at least thirty minutes, but preferably longer).
But, he’s made me want to take another stab at reading Being and Nothingness (presumably not his intention) and to find and reread a Raymond Williams book that bought years ago at Kramerbooks (I know I’ve seen it recently on the shelves in my study; it has a striking, if not particularly handsome, silver cover), offered an offhanded but fascinating defense of Augustine’s theory of original sin, and maybe convinced me to read more Scruton.
Scruton fulfills or can fulfill, in a way, something like the role that William F. Buckley played for the intellectual left. That is the role of the conservative that one can engage with. The each bring a pleasant, upper class accent and vocabulary, though Scruton, so far as I know, lacks Buckley’s unreconstructed racism and segregationism (though his attack on Edward Said and his defense of Said’s targets smacks of a certain pro-colonialism). Certainly, I hope so. One can imagine him despising Trump’s rigidly unintelligible propaganda, proudly uninformed opinions, and, not least, his outspoken and unironic tackiness (one can easily imagine Buckley being outwardly seduced by Trump, but that is because Buckley’s interest was movement through the exercise in political power, whereas Scruton appears driven by his love of aristocratic English high culture).