BAM!


Apparently, that’s what Books-A-Million is now calling itself (BAM – Books-AMillion).

But one opened in the spot where the old Borders used to be, next to Jo-Ann Fabrics in Columbia, Maryland.

I used to often go there when my better half would need to buy fabric next door, killing time in the cafe and reading some lit mag or what not. I was pretty sad when it left.

But I’m glad there’s another bookstore there, but it’s also a little creepy. The selection is a little smaller and a little less challenging. Less poetry and fewer books by lesser known poets. No literary journals. No classical music CDs. And no philosophy section. But things were generally in the same area of the store as they were when it was a Borders. A pale, platonic shadow of the departed place (even the bookshelves are similar, but not quite exactly what Borders had).

Nonetheless, I so glad it’s there. It’s never amiss to find a bookstore present where you thought there were none.

Weekend Reading – More Than Just Words


The Folger Shakespeare Library reminds us that books are more than just text.

Dial-A-Poem.

Houghton Mifflin Harcourt filed for bankruptcy.

Mistborn Trilogy


A while back, I wrote about the first book in Brandon Sanderson’s trilogy, the eponymously titled Mistborn. Well, I was at the laundromat last night and while waiting for some clothes to dry, I finally finished off the third volume: The Hero of Ages (which follows The Well of Ascencion). And they’re all three pretty good. They’re don’t rise to the level of ‘literature,’ assuming we want to get into the argument, but they’re very good. And perhaps let me find a nicer, less controversial way to put it than to bring up the ‘L'(iterature) word: Brandon Sanderson is a solid writer with good plotting and characterization skills, but he’s no J.R.R. Tolkien nor Ursula K. Le Guin nor the lately lamented Ray Bradbury (he’s also not a George R.R. Martin, but maybe that’s another discussion – where does Martin fall on the ‘L’ word scale).

I’m not interested in rehashing plot, but his characterizations, as I’ve said, is pretty good. Mainly his heroes (his villains are actually a little unimaginative, except when one, in particular, appears as voices in the heads of other characters, but that’s more about those other characters than it is about that villain; and the names, too – ‘Lord Ruler’ and ‘Ruin?’ – c’mon, take some time with it and come up with something better, and that last book’s title, too – The Hero of Ages? – pretty unimaginative name for your prophesied saviour). And their relationship, including the romantic ones, feel less cheesy than is the norm in the genre.

I will say that the last two books read a bit like Sanderson hadn’t necessarily intended to write a trilogy or at least hadn’t fully mapped it out (though he clearly had done so when it came to writing the final two books).

He’s written a sequel to the trilogy, taking place hundreds of years later and called The Alloy of Law. I’m not driven to read it.

But Sanderson is clearly a skilled and enjoyable writer of fantasy. Right in the sweet spot of all those rows of thick paperbacks (when I was a kid, in used bookstores, sci fi and fantasy books were all old pulp and mostly relatively thin, but in the new bookstores, like the B. Dalton’s at Countryside Mall, they were thick tomes of at least four hundred pages) with the colorful, detailed covers that I would frequently manage to convince my mother to buy one from.

Natasha Trethewey


Nathasha Trethewey was just named the new U.S. Poet Laureate.

I had the good fortune to hear her read at the Folger Shakespeare Library six weeks ago as part of the ‘Dark Room Collective.’ She’s a good choice and will a strong advocate for poetry.

Thursday Staff Meeting – Rick Scott Doesn’t Want Your Vote, So He’s Not Going To Let You Vote


God and man and Hitler at Yale.

It just wouldn’t be right to let your vote count after someone else made a mistake.

BHL and Kerouac.

Ray Bradbury Has Left The Earth


My mother loved two science fiction writers – Ray Bradbury and Isaac Asimov – and used to often give me their short stories to read when I was child. I confess that I read more Asimov than Bradbury, but when my mother gave me his Dinosaur Tales… well, like all good boys, I loved my dinosaurs.

Midweek Staff Meeting – Unplanned Obsolescence


I certainly hope not!

How to define the San Francisco Renaissance.

Taking the Unabomber’s philosophy seriously (but also with heaping bucketful of salt).

Tuesday Morning Staff Meeting – Transportation Issues


I actually used to use the L.A. Metro a good deal when I lived in Hollywood.

And I still ride the Chinatown bus.

And now I want to visit Istanbul.

Happy Birthday, Ginsberg


Eliot & Coffee


Someone recently commented on an older post of mine about T.S. Eliot that they had found the post while searching for information about Eliot’s relationship to coffee.

I didn’t have a good answer for him.

But when I think of Eliot and coffee, I always drift to Love Song of J. Alfred Prufrock and the man who measures his life in ‘coffee spoons.’

Prufrock always seems to me to partake very strongly of Eliot’s Anglophilia. He is writing in a style to seems to aim for a certain English-ness in its language. But while the English do drink plenty of coffee, we can agree, surely, that tea is a much English drink.

The coffee spoons with which Prufrock measures his life with are an indication of his mundanity and his measured fears. But tea spoons or something associated with tea (sugar spoons?) would be much appropriate to this English style (not many American poems write about a being embarrassed by a footman holding one’s coat; that particular class consciousness sounds more like something from across the Atlantic to me). In that sense, in an English sense, might not coffee spoons stand out?

Maybe not. I’m just guessing. But I’m guessing that is a certain (essential?) American-ness showing through in Eliot, an American-ness we don’t really see again until Four Quartets.