No One Will Go to the Opera with Me


None of my friends and loved ones in the greater DC area want to see Salome with on Friday night.

It doesn’t matter that the production has been well reviewed, nor that Deborah Voigt (a soprano famous for her work in Strauss’ repertoire) would be singing.

And so I embark on another “what the heck happened to respect for the canon” discussion.

The last two young ladies to attend the opera with me are both, as it happens, going to Baltimore to see comedian Chelsea Handler. I brought up the question of the opera with a couple of friends last night and got some blank stares. Zero interest.

I have to believe that if more people gave opera – live opera, done properly – a chance, it would continue to grow. And maybe it is. Everything I’m complaining about is purely anecdotal. I do not hang around an “operatic” crowd. In truth, I work with a punk rock crowd. My better half works with folks on the pop culture side of things. I stand in a lonely middle. Or am I just romanticizing myself – making someone who is able to buy a subscription to the opera a classic, lonely, rugged and byronic outsider?

Arcanto Quartet


The Library of Congress’ free concerts series will showcase the Arcanto Quartet tonight. They will  be playing Mozart’s String Quartet in D Minor, K. 421, Ravel’s String Quartet in F Major, and Bartok’s Strong Quartet #5.

I have never seen this quartet, but I gather that they specialize in the French repertoire, so I am especially excited to hear them play Ravel. I never thought much of him – having heard little but his overplayed, though enjoyable, Bolero – until I saw the beautiful French film Un Coeur un hiver with one of my favorite actors, Daniel Auteuil. That movie was partly about a violinist recording a number of Ravel trios and sonatas and remains, in my mind, one of the best movies ever made about art.

Co-Owner of Politics and Prose and Titan of the DC Literary Scene Passes Away


Carla Cohen, one of the two co-owners of Politics & Prose, passed away early this morning. She was 74 years old and suffering from a rare form cancer.

The owners of Politics & Prose have been seeking new owners to buy them out for some time now. Carla Cohen and Barbara Meade turned the bookstore into a nationally recognized bookstore and a DC institution. Even as Barnes & Noble and Borders have struggled, Politics & Prose has, according to all reports, remained solidly profitable. It is believed that there are a number of would-be buyers, but that they were looking for someone they could count on to maintain the store’s cultural, as well as business, legacy.

Like Sylvia Beach, we should recognize the contributions to modern literature of people like Ms. Cohen, who provided a place where books where properly and respectfully flourish.

Maxine Kumin at Politics and Prose


If you’re in the Washington, DC area, don’t forget to check out poet Maxine Kumin read at Politics & Prose this evening. Details here.

My “Man Cave”


I have been given a “man cave” in the new apartment. I don’t exactly know how it got to be called a “man cave.” I feel like “man cave” should be the name of a low budget, swiftly cancelled sitcom starring some particularly egregious and misogynist comedian.

Had I been asked – I would have suggested the room by called “my study.” Because the point is to have  a place to work and write. My current contract will eventually end and I will find myself back at home and unemployed, scrounging for gigs. No doubt, a study would be a relaxing and utilitarian sanctuary. I have a desk – custom made by a furniture maker from Staunton, Virginia out of recycled wood stained black. Some bookcases, which are in no way exceptional, being your standard IKEA fare. My record player – a gift from many years ago to replace the massive old stereo I lugged around to play all my vinyl LPs. A little leather covered chest, designed to hold files and papers, but re-purposed to contain my record collection (a gift from my Uncle Kim that I couldn’t figure out what to do with for years, until I discovered it was the perfect size to hold my LPs). And, of course, my old black typewriter.

I’ll post pictures when it’s completed.

National Poetry Day


Thursday, October 7th is National Poetry Day.

Please, please remember to celebrate it, even though it is, technically, an English holiday.

I intend to listen to Maxine Kumin read poetry on Thursday at the famed Politics & Prose Bookstore in Washington, DC (well known to geeks like myself who actually watch  BookTV on C-SPAN2’s weekends).

The Coffee Philosopher


I first started using the term “coffee philosopher” back in high school. I even created a little Platonic-Marxist (I was a confused young man) constitution for a government by the three most qualified groups – the coffee philosophers, proletariat poets, and the philosopher kind.

My friends and I were consumed with various fantasies of intellectual mandarins from times past – Allen Ginsberg drinking coffee in a Greenwich Village coffeehouse; Hemingway writing his “one true sentence” with a pencil in a Montparnasse cafe; Jean-Paul Sartre holding court at Cafe Deux Magots in Paris; Sigmund Freud and Carl Jung playing chess at the Cafe Central in Vienna; even Samuel Pepys visiting London coffeehouses for the latest political news.

Of course, in suburban Florida, we had no such place.

Typically, we congregated at Denny’s, drinking cup after cup of coffee; Matt, Damian, Scott and my other friends also smoked Camel cigarettes.

Later on, our we found places like CAMS (Consortium for Art and Media Studies) in Pinellas Park and Clearwater. Mother’s Milk, inside an old house on the edges of  the then decrepit downtown Clearwater. Later, there was Insomnia (tag line: “Because there’s nothing else to do in Palm Harbor.

Sometimes, an older person would be there (older is a relative term – by the standards of my teenage self, I would be older, too). In the sometimes unsubtle but also unrecognized (at the time) sexism of our culture, we would be especially drawn to these people if he were a man. For at least an evening, his greater wisdom and deep thoughts would be admired, as if he were Sartre and we his willing disciples.

I have never found that place that would truly recreate those images from past periods. In the past, I looked for this place in New York City, San Francisco, Los Angeles, Atlanta, London, Dublin, Madrid – even in Paris.

Now, in truth, I most often buy my coffee from a place down the street called Peregrine Espresso. They serve the best coffee in DC (for me – this is a fact a not even in question – the coffee is indisputably delicious). But they are not a good place for would-be mandarins or would-be disciples to hold court.

As an adolescent, sitting in Denny’s, I used to pose the question to my friends – what if this is what it was like in Paris in the 1920s? Sitting around a dirty coffee shop, complaining about how people were petty and there was nothing to do? Fifty years down the road, will there by graduate theses about the “scene” in Dunedin back in the late 1980s and early 1990s? Are these moments recognizable, palpable as they are being experienced?

Henry VIII


My mother, a dedicated reader of all things Elizabeth I (extending to her father, Henry VIII), will be very jealous.

As the nearby Folger Shakespeare Library prepares for the 2010-2011 season, one of the treats in store is a rare performance of Shakespeare’s Henry VIII. I know nothing about this particular play. In fact, I suspect that it is not very good, or else we should see it performed more often (it’s not a coincidence that the world doesn’t lack for performances of Twelfth Night, one of the Bard’s best plays). But a rarity has value simply in being uncommon.

Perhaps more exciting is the upcoming exhibition, Vivat Rex, celebrating the ascencion of young Henry to the throne of England. The exhibitions at the Folger, though not large, are always well curated and informative. My favorite, so far, was the one they had the other year on early newspapers and periodicals.

Fall for the Book Festival


Somehow, I didn’t know about this – the Fall for the Book Festival over in Northern Virginia (only saw it when I was looking up a journal I bought a few weeks ago, George Mason University’s So To Speak: A Feminist Journal of Language and Art.

Work responsibilities will almost certainly make it impossible for me attend (the election is in only a little over six weeks). But I’m hoping its a rousing success.

I Have No Idea What Brian Aldiss Is Talking About


I grabbed a copy of The Eighty Minute Hour: A Space Opera from the basement of Capitol Hill Books a few weeks ago for only $3. The author, Brian Aldiss, had been recommended to me as one of the more high-minded purveyors of pulp. Even better – he was British and I confess to being a dedicated Europhile (even if the British have mixed feelings towards their own European-ness).

After considerable effort – and no little motion sickness resulting from mostly reading it on the subway – I finished The Eighty Minute Hour. But I have a confession to make. I have almost no idea what he is writing about.

Though apparently a standalone book, it reads like the third book in a tetralogy. But in such a case, one could at least expect a reasonable amount of exposition. Maybe a little prelude to catch us up. But not here.

Characters were picked up and their names thrown about but never fleshed out. Situations were tossed out there, willy nilly. And the whole thing seemed to come down to a series of deus ex machinas designed to summarily dismiss every challenge that showed up in the plot. To make matters worse – the final deus ex machina, taking place at the very end, wrapped up a plot point that didn’t even exist until 20 pages or so from the end. In other words – it solved the problem of a plot point that never existed for 90% of the book. I’d try to explain the plot, but I can’t. Suffice to say, time distortions caused by a war that is never described and which took place before the book even starts and a computer than magically disappears into the past play major parts. But I’m still not sure how. Oh – and I almost forgot: characters also randomly speak in song (hence, A Space Opera).

Say what you want about a straightforward writer like Dickson (and you can say a lot – he’s hackneyed, that he lacks any sense of pacing or characterization, etc), but I’ll take None But Man over The Eighty Minute Hour.